Cynthia Black, baroque viola
A native of Dallas, Texas, Cynthia Black enjoys performing and studying baroque and modern viola, and more recently the baroque violin. After completing undergraduate and graduate studies with Robert Vernon and Lynne Ramsey at the Cleveland Institute of Music, she is currently a student at Case Western Reserve University under Dr. Julie Andrijeski. As a baroque violist and violinist, Ms. Black has most recently performed with Apollo's Fire, Fort Wayne Bach Collegium, Three Notch'd Road, and Publick Musick. An avid chamber musician, Ms. Black has appeared in performance alongside artists such as Barry Shiffman, Denis Brott, Nokuthula Ngwenyama, and Matt Haimovitz, and has spent summers at the Juilliard Quartet Seminar, Banff Centre's Chamber Music Residency, Kneisel Hall, and Sarasota Music Festival.
Mary Boodell, baroque flute
As Principal Flutist of the Richmond Symphony, Mary Boodell has won acclaim not only for her orchestral playing but for her numerous chamber music performances as well. Equally at home in baroque and contemporary music, Ms. Boodell has performed at festivals across the US and Europe, including at Los Angeles' Hollywood Bowl, the Eastern Music Festival, the Staunton Music Festival and the Festival of Two Worlds in Spoleto, Italy. Since 2004, she has also played baroque and modern flute with the Chamber Music Society of Central Virginia (www.cmscva.org), an organization dedicated to bringing world class chamber music to Richmond. Born in Chicago, Ms. Boodell received her Bachelor of Music at the Oberlin Conservatory and her Master of Music at Northwestern University.
Bassoonist Stephanie Corwin plays extensively on baroque, classical, and modern instruments. As a soloist, she was named the inaugural winner of the Meg Quigley Vivaldi Bassoon Competition and was a semifinalist in the 2007 Ima Hogg Young Artists Competition. Stephanie is based in New York City and enjoys playing with ensembles across the country, including Handel and Haydn Society, the American Classical Orchestra, The Orchestra of St. Luke’s, Apollo’s Fire, Philharmonia Baroque, The Charlotte Symphony Orchestra, Opera Lafayette, and the Trinity Baroque Orchestra (NYC). Stephanie has also held teaching positions at the University of Virginia and Hunter College. After attending Davidson College, she earned degrees in music performance from Yale University (MM) and Stony Brook University (DMA). Stephanie also holds a Performer Diploma in historical bassoons from Indiana University.
Daphne Gerling, baroque viola
Violist Daphne Gerling currently enjoys a multi-faceted career as a teacher, chamber musician, recitalist and solo performer. Her performances have taken her to leading venues in the U.S., Brazil, Chile, Argentina, Italy, Austria, England, the Netherlands, and Germany, and to music festivals including Aspen, Bowdoin, Encore, NYU, Sarasota, Bad Leonfelden, Norfolk (UK), Staunton (VA), Festival de Cordas Nathan Schwartzman (Uberlândia Brazil), Düsseldorf-Benrath, Karlsruhe International Händel Festspiele Opernwerkstatt, Internationale Händel Festspiele Karlsruhe, and Neuburg, Bavaria. Born in Brazil, she is a graduate of the Walnut Hill School, New England Conservatory, Oberlin Conservatory, the Cleveland Institute of Music, Rice University, and was a visiting scholar at the University of Cambridge Faculty of Music. She has been a guest artist at James Madison University, Rice University, Illinois State University, Florida State University, University of South Carolina, Sewanee, University of Tennessee, Middle Tennessee State University, Valdosta State University, Texas Tech University, and University of Virginia, among others. In summers she is on the faculty at the Rafael Trio Chamber Music Workshops and the Tennessee Governor’s School for the Arts. Since the fall of 2011 she has been on the faculty of the University of North Texas College of Music, where she teaches viola and chamber music.
Fiona Hughes, baroque violin
Violinist Fiona Hughes holds degrees from Oberlin Conservatory and Cleveland Institute of Music. A founding member of Three Notch'd Road, she is a versatile performer of both modern and baroque violin, appearing with North Carolina Baroque Orchestra, Apollo’s Fire, Washington Bach Consort, Boston Baroque, Duke Vespers Ensemble, the Richmond Symphony, and the Handel and Haydn Society. She has performed in numerous music festivals, including Kinhaven, Encore, Brevard Music Center, National Repertory Orchestra, Banff, Staunton Music Festival, and Japan's Pacific Music Festival. She looks to Steven Rose, Adam DeGraff, Marilyn McDonald, and Lucy van Dael as primary mentors. Fiona's period bows are by Louis Bégin and David Hawthorne, and her violin is the ex-Vieuxtemps Claude Pierray (1720 Paris).
Anthony Harvey, theorbo
Anthony Harvey is Artistic Director for Middleburg Musick and teaches at James Madison University. He performs regularly as soloist and as a continuo player on theorbo, baroque guitar and baroque lute. He currently performs with North Carolina Baroque Orchestra, Ensemble Vermillian, Three Notch’d Road, The Washington Bach Consort, Chatham Baroque, and co-directs James Madison University's The Valley Collegium among others. Mr. Harvey holds multiple degrees from the Peabody Conservatory, where he studied theorbo and baroque lute with Richard Stone. He has also previously served on faculty at Washington College.
Charles Humphries was born in the United Kingdom, graduated from the Royal Academy of Music, London and was honored with the letters ARAM (Associate Royal Academy of Music) for his services to music. Known for his intelligent interpretations of baroque and renaissance music, he has been one of the most sought after countertenors worldwide for the past twenty years in concert, recital and Opera. With a discography of over forty recordings with all the world’s specialist ensembles, both as a soloist and as a consort singer, he has been paired with a number of very distinguished conductors and directors including Sir John Eliot Gardiner, the late Richard Hickox, Paul McCreesh, Robert King, Rinaldo Allessandrini, Nicholas McGegan, James O’Donnell, Trevor Pinnock and Lars Ulrik Mortensen. Charles left the UK and now resides in Washington DC where his career continues to flourish. Whilst living on the East coast collaborations with major baroque ensembles have taken him as far afield as California (Bach Collegium San Diego), Texas (Ensemble viii) and New York (John Scott) to name just a few whilst also remaining close to home groups worked which include the Washington Bach Consort and the Bach Sinfonia. Charles is in high demand as a vocal consultant and has a highly successful private studio in Washington DC. He is a visiting professor at George Washington University and has held master classes at Catholic University, Washington DC and San Diego state, California.
Christopher Jacobson, organ
Christopher Jacobson is Associate Organist and Choirmaster at Trinity Episcopal Cathedral, Columbia, South Carolina and is the Artistic Director of the Columbia Choral Society. Prior to his appointment at Trinity Cathedral he was Assistant Director of Music and Organist at Washington National Cathedral. Mr. Jacobson holds degrees from the Eastman School of Music and St. Olaf College as well as the Associate diploma from the American Guild of Organists. His teachers include David Higgs, William Porter, and John Ferguson. He is a graduate of Woodberry Forest where he began his organ study with Charlottesville organist Yvaine Duisit, and the American Boychoir School where he was a treble chorister under James Litton. As an organist, Mr. Jacobson has won first prize in several organ competitions including the John R. Rodland Scholarship Competition, the AGO/Quimby Region VI Competition, and was a finalist in the 2006 AGO National Young Artist Competition. In 2011–2012 Mr. Jacobson performed the complete organ works of Johann Sebastian Bach twice: first in a series of fourteen recitals in South Carolina, and also in a marathon performance in Savannah, Georgia.
Violinist and Charlottesville native David McCormick earned degrees in music education and performance from Shenandoah University and Case Western Reserve University, including specialized training in chamber music and historical performance. David is co-founder of Three Notch’d Road and Alkemie, an ensemble that specializes in medieval and renaissance music for voices and instruments. David has also performed recently with the Duke Vespers Ensemble, The Columbian Consort (GWU faculty baroque ensemble), and the Chamber Music Society of Central Virginia. This spring, David will perform solo Bach and Biber for the lunchtime series at Church of the Epiphany in Washington, DC. David currently teaches violin and viola in Charlottesville and for the Waynesboro Symphony Orchestra String School, where he also serves as ensemble conductor.
Elena Mullins, soprano
Elena Mullins is a doctoral student in historical performance practice at Case Western Reserve University, where she studies voice with Ellen Hargis. She frequently performs with the Case Collegium and Baroque ensembles under Debra Nagy and Julie Andrijeski. Recently, she was featured as a soprano soloist in the American Bach Soloists Academy's performance of the Bach B Minor Mass. This season she appears with Apollo's Fire, Three Notch'd Road, and the newly founded Medieval ensemble Alkemie. Ms. Mullins is soprano soloist and section leader at the Church of the Covenant and a participant in the Trinity Cathedral Chamber singers.
Rebecca Kellerman Petretta, soprano
Hailed as a soprano with “grace and elegance” by the Washington Post, Lyric Soprano Rebecca Kellerman Petretta is fast becoming one of the most exciting prospects in Early music. Throughout the Washington DC area, Petretta sings with groups such as The Washington Bach Consort, The Bach Sinfonia, Opera Lafayette, The National Gallery Vocal Ensemble, Chatham Baroque as well as the newly formed group, Fanfare Barok in Northern Virginia and Conductors she has worked with include Daniel Abraham, Reilly Lewis, Robert Shafer, Jan Wachner, Christoph Eschenbach, Robert King, Jane Glover, Leonard Slatkin, and Ryan Brown. Most recently Rebecca's solo appearances have included a program with the Bach Collegium San Diego entitled “When Cupid Strikes” featuring the music of Handel, Purcell, Bach and Monteverdi. Other recent concerts include JS Bach Cantata’s #119, #69, #167, Handel’sDixit Dominus and Scarlatti’s Missa Breve, La Stella with The Washington Bach Consort. In Europe she has worked with members of Fretwork and "The English Cornet and Sackbut ensemble." Her career has taken her to various countries throughout Europe as a soloist and chorister including England, France, Italy, Austria, The Czech Republic and Germany.
Mark Shuldiner, harpsichord
Mark Shuldiner, historical keyboards, is a graduate of Oberlin Conservatory's Historical Performance program, where he studied harpsichord with Webb Wiggins. Mr. Shuldiner has also enjoyed additional instruction from such keyboard luminaries as Emanuel Ax and Davitt Moroney. Recent projects have included playing harpsichord, celeste, and organ for staged productions of A Midsummer Night's Dream by Benjamin Britten as well as a production of Monteverdi's L'incoronazione di Poppea under the direction of Stephen Stubbs. Mark led a performance of Charpentier’s Les Arts Florissants to great acclaim on a fringe concert at the 2009 Boston Early Music Festival. A rising star of the Chicago early music scene, Mark has performed with Chicago-based ensembles such as The Newberry Consort, Music of the Baroque, the Grant Park Symphony Orchestra, Baroque Band, the B.B.E., and Rook. While maintaining a rigorous performing schedule, Mark also runs his own harpsichord repair and rental workshop and has provided tuning and maintenance solutions to many notable clients including The Lyric Opera of Chicago, Music of the Baroque, and Chicago Opera Theater.
Jennifer Streeter, harpsichord
Jennifer Streeter has performed throughout the United States and Europe with ensembles such as the North Carolina, Indianapolis and Seattle Baroque Orchestras, Ensemble Vermillian, Piedmont Baroque, and the Monte Carlo Philharmonic Orchestra. She has been featured at the Bloomington, Magnolia Baroque and Amherst Early Music Festivals. She holds masters' degrees in recorder and harpsichord from the Early Music Institute at Indiana University, studying with Eva Legêne and Elisabeth Wright. Originally from Europe, she now calls Cary, North Carolina home where she is a freelance musician and body therapist.
Anne Timberlake (recorders) has appeared across the United States performing repertoire from Bach to twenty-first-century premieres to Celtic tunes. She holds degrees in recorder performance from Oberlin Conservatory and Indiana University. Critics have praised her "fine technique and stylishness,” (Letter V) and "dazzling playing" (Chicago Classical Review). In addition to a Fulbright Grant, Anne has received awards from the American Recorder Society and the National Foundation for the Advancement of the Arts. She has recorded with Musik Ekklesia and is a founding member of the ensemble Wayward Sisters, specializing in music of the early baroque. In 2011, Wayward Sisters won Early Music America's Naxos Recording Competition, and was featured by The Newberry Consort as 2010-11 Emerging Artists.
Jeremy Ward, baroque cello
Cellist Jeremy David Ward is a performer whose musical inspiration and repertoire spans from Renaissance dance music to the post-tonal works of Saariaho and Dutilleux. As a player of early bass instruments, he has enjoyed musicking with The Newberry Consort Violin Band, Baroque Band, Bella Voce, Three Notch’d Road and his newly formed ensemble, Rook. Jeremy has also had the pleasure of performing cello in more contemporary compositions with Chicago new music groups eighth blackbird and ensemble dal niente. A graduate of Oberlin Conservatory, he recorded with Oberlin 21 and Yolanda Kondonassis for the album Air featuring music for flute and harp by Debussy and Takamitsu. Also a graduate of Northwestern University’s Bienen School of Music, Jeremy lives in in Chicago where he freelances in all eras of music.
Benjamin Wyatt, baroque cello
Cellist Benjamin Wyatt has performed extensively abroad and at home, including performances in Italy, Germany, Austria, The Czech Republic, Bulgaria, Japan, Canada, and Mexico. In addition to solo, chamber and orchestral work, he has worked in popular and commercial idioms, including film and television sound tracks and for Broadway musicals. He has been a guest at the Aspen Music Festival, as well as Spoleto (Italy), Corona Del Mar (CA), and Sarasota (FL). His chamber music performances have been broadcast live in New York and Los Angeles, and he has been hailed as "virtuosic" by the Los Angeles Times. Ben is a graduate of University of Southern California Thornton School of Music and the Cleveland Institute of Music. As a Baroque cellist, Ben has played with Musica Angelica, The American Classical Orchestra, Angeles Consort, Con Gioia, and Los Angeles Baroque Orchestra. He has been fortunate to perform with artists Renée Fleming, Harry Bicket, Martin Haselbück, Giovanni Antonini, Paul Goodwin, Nicholas Kraemer, Elizabeth Futral, Rachel Podger, and Elizabeth Blumenstock. A member of the Avanti Ensemble, Ben is on faculty with the Renaissance Music Academy and Virginia Tech's Fine Arts Initiative.